Unscrupulous Entertainment [1985-1996]
„German band THE BLECH have slashed the throat of the golden twenties and replaced them with an Ibero-Anglo arabesque voice mix. THE BLECH disconcert, irritate, scare and .. make wonderful radical dance music, which may inspire you to listen, reflect or dance through the night“. Dr. Susanne Binas
„THE BLECH released 6 LP/CD. Their albums have become a treasure-trove of extravagant, groovy dance hall artistry. In addition to their CDs, THE BLECH presented equally radical videoclips and unscrupulous live-shows – the already mentioned „treat for the eyes“. The forcefulness with which THE BLECH flung their conviction from the stage into the audience was at once hypnotic, irritating and erotic.“ Zeit
An anarchistic listening enjoyment with Avant-Garde Rock, bits of Brecht / Weill, Jazz elements, witty tongue-in-cheek lyrics, Dada and the expressive voice of „Der Volz“. The Moscow times
Established by Hubl Greiner and Rupert Volz, who formed the core of THE BLECH
THE BLECH toured 12 years through North and South America, Canada, Japan, Russia, Siberia, Europe and the Soviet bloc (Poland, Czechoslovak Rep. etc.). The band have been invited 2 times to „documenta“ Kassel, played at rock, punk, jazz, and contemporary music festivals, has received international awards and shared stage with Elvis Costello, Henry Rollins, Nick Cave, Julie Driscoll & Keith Tippet, Herbie Hancock, Nina Hagen, Klaus Doldinger, Cecil Taylor, Einstürzende Neubauten, Elliott Sharp, Fred Frith, Chaka Chan, John Zorn, Arto Lindsay, Helmut Friedrich Lachenmann, Mauricio Kagel or Luciano Pavarotti.
THE BLECH live Dokumenta Kassel 1987
Hubl Greiner: Drums, Der Volz: Vocals, guitar, trumpet, Casio, Therofal: Bass, keyboards, sampler
DIE EINSAME TRÄNE – Videoclip 1989
Music: THE BLECH | Text: Heinrich Heine | Video: Hubl Greiner, Thnnxx to Sonia Ushiyama Souto
BUDDHA TANZT – Videoclip 1990
Music: THE BLECH | Text: Rupert Volz | Video: Hubl Greiner, Hubl Greiner: Drums, Der Volz: Vocals, trumpet, HB-W: Violine, bariton-violectra, keyboards, Sampler, Shirley Anne Hofmann: Trombone, euphonium, JP Volk: Bass
THE BLECH live in Moscow 1992
Hubl Greiner: Drums, Der Volz: Vocals, guitar, trumpet, Casio, HB-W: Violine, bariton-violectra, keyboards, Shirley Anne Hofmann: Trombone, euphonium
THE BLECH live in Illingen 1992
Text: Ernst Jandl (Ich kann die Hand nicht heben hoch zum Gruß, Der zertretene Mann Blues), Der Volz: Vocals, guitar, trumpet, Casio, Therofal: Bass, keyboards, sampler, HB-W: Violine, bariton-violectra, keyboards, Shirley Anne Hofmann: Trombone, euphonium
THE MUSICIANS
• Hubl Greiner … drums, machines, objects, marimba, piano, bass, percussion
• Der Volz … vocals, brass instruments, trumpet, guitar, lyrics
• Helmut Bieler-Wendt (1989-1994) … violin, violectra, piano
• Shirley Anne Hofmann (1990 -1993) … brass, piano, accordeon, vocals
• Therofal (1986-1989) … bass, sampler, vocals
• JP Volk (1992-1994) … bass
• Sandra Silva Coutinho (1991) … bass, vocals
• Achim „Bagdad“ Schmidt (1987) … violine
Cheerfully across the abyss… and beyond!
„The German band THE BLECH became known when they came on the scene in 1985, using a combination of experiments with language and music, with a fondness for absurd plays on words. In subsequent years, the band developed these musical experiments into one of the few timeless approaches to pop music in Germany, which enjoyed worldwide acclaim. THE BLECH have helped to overturn an artistic millenium which, as a basis for the relationship between Man and nature, had clung to harmony.“ M.Möller – DT64 Berlin
THE BLECH PICS:
Live pics | Band pics | Flyer pics | On Tour | Mixed pics
Visit also:
www.hubl.com